This is a bit of a departure from my usual advertising/marketing posts, but it’s in the interest of self-promotion, so it’s not completely from left field.
I’m happy to report I’ve kept up my writing habit over the summer — despite not taking a writing class during the summer sessions. I’m even happier to report that my flash-fiction piece “Tokyo Exchange” was selected for Doorknobs & Bodypaint’s August issue, along with another short, “Crib Notes,” which is part of a much longer work in progress.
For “Tokyo Exchange,” I had to use the following prompts: 1) a theme of treachery 2) a sub-theme of restraint 3) setting is Tokyo and 4) the phrase “of an emulsion” must be included. Oh, and it had to be 450 words or fewer. We meet Jamie from “Clocked In” again, 10 years after we last saw her. She’s a computer analyst who is living in Tokyo temporarily and suffering from a serious case of homesickness.
In “Crib Notes,” which was written for the Dorsal contest, someone had to act treacherously to take something that isn’t theirs. It’s 1996, and we meet Sean, a once-gifted journalist who has squandered his talents. He’s a first-class shit, and he’s loosely based on a journalist I knew back in the early 1990s. This piece surprised me: I felt angry and sad and completely disgusted. I hope the reader feels that way, too.
Speaking of writing, I have daily pages and classwork to do, so this self-promotional post will end awkwardly — like this.